Articles Tagged with: borderline latin

Borderline Latin: Cypress Hill, “Yo quiero fumar cumbia (Captain Cumbia remix)”
[REMEZCLA MUSICA]

Borderline Latin: Cypress Hill, “Yo quiero fumar cumbia (Captain Cumbia remix)”

In this new weekly column, Salvador Olguín features the works of “non-Latin” artists whose rhythms, themes, or melodic influences have earned it the name of…

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Borderline Latin: Neon Indian – “Hex Girlfriend (Twin Shadow remix)”
[REMEZCLA MUSICA]

Borderline Latin: Neon Indian – “Hex Girlfriend (Twin Shadow remix)”

In this new weekly column, Salvador Olguín features the works of “non-Latin” artists whose rhythms, themes, or melodic influences have earned it the name of…

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Borderline Latin: White Rabbits – “No Soy Yo” (Free Download)
[REMEZCLA MUSICA]

Borderline Latin: White Rabbits – “No Soy Yo” (Free Download)

In this new weekly column, Salvador Olguín features the works of “non-Latin” artists whose rhythms, themes, or melodic influences have earned it the name of…

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Borderline Latin: Scorpions, Baladas de poder
[REMEZCLA MUSICA]

Borderline Latin: Scorpions, Baladas de poder

In this new weekly column, Salvador Olguín features the works of “non-Latin” artists whose rhythms, themes, or melodic influences have earned it the name of…

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Borderline Latin: The Clash, en español
[REMEZCLA MUSICA]

Borderline Latin: The Clash, en español

In this new weekly column, Salvador Olguín features the works of “non-Latin” artists whose rhythms, themes, or melodic influences have earned it the name of…

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David Byrne: Borderline Psycho
[REMEZCLA MUSICA]

David Byrne: Borderline Psycho

In this new weekly column, Salvador Olguín features the works of “non-Latin” artists whose rhythms, themes, or melodic influences have earned it the name of…

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Borderline Latin: Balkan Beat Box, Balkan is European for Latin
[REMEZCLA MUSICA]

Borderline Latin: Balkan Beat Box, Balkan is European for Latin

In this new weekly column, Salvador Olguín features the works of “non-Latin” artists whose rhythms, themes, or melodic influences have earned it the name of…

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Borderline Latin: Beirut, Marching with the Zapotec
[REMEZCLA MUSICA]

Borderline Latin: Beirut, Marching with the Zapotec

In this new weekly column, Salvador Olguín features the works of “non-Latin” artists whose rhythms, themes, or melodic influences have earned it the name of…

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Borderline Latin: Los Desterrados, Jewish/Spanish Flamenco from London
[REMEZCLA MUSICA]

Borderline Latin: Los Desterrados, Jewish/Spanish Flamenco from London

In this new weekly column, Salvador Olguín features the works of “non-Latin” artists whose rhythms, themes, or melodic influences have earned it the name of…

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Borderline Latin: Jovanotti
[REMEZCLA MUSICA]

Borderline Latin: Jovanotti

In this new weekly column, Salvador Olguín features the works of “non-Latin” artists whose rhythms, themes, or melodic influences have earned it the name of…

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Borderline Latin: Calle Real, Cuban Timba from Swedish Sweden
[REMEZCLA MUSICA]

Borderline Latin: Calle Real, Cuban Timba from Swedish Sweden

In this new weekly column, Salvador Olguín features the works of “non-Latin” artists whose rhythms, themes, or melodic influences have earned it the name of…

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Borderline Latin: EKD, Rock Latino desde Japón
[REMEZCLA MUSICA]

Borderline Latin: EKD, Rock Latino desde Japón

In this new weekly column, Salvador Olguín features the works of “non-Latin” artists whose rhythms, themes, or melodic influences have earned it the name of…

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Borderline Countess: Madonna
[REMEZCLA MUSICA]

Borderline Countess: Madonna

In this new weekly column, Salvador Olguín features the works of “non-Latin” artists whose rhythms, themes, or melodic influences have earned it the name of…

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Borderline Latin: Orchestra Baobab, El Son te llama
[REMEZCLA MUSICA]

Borderline Latin: Orchestra Baobab, El Son te llama

In this new weekly column, Salvador Olguín features the works of “non-Latin” artists whose rhythms, themes, or melodic influences have earned it the name of…

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Borderline Latin: The Police, Viene la Policía!
[REMEZCLA MUSICA]

Borderline Latin: The Police, Viene la Policía!

In this new weekly column, Salvador Olguín features the works of “non-Latin” artists whose rhythms, themes, or melodic influences have earned it the name of…

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Borderline Latin: Kraftwerk, A Model is a Sex Object
[REMEZCLA MUSICA]

Borderline Latin: Kraftwerk, A Model is a Sex Object

In this new weekly column, Salvador Olguín features the works of “non-Latin” artists whose rhythms, themes, or melodic influences have earned it the name of…

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Borderline Latin: Dios Salve a la Reina
[REMEZCLA MUSICA]

Borderline Latin: Dios Salve a la Reina

In this new weekly column, Salvador Olguín features the works of “non-Latin” artists whose rhythms, themes, or melodic influences have earned it the name of…

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Borderline Latin: Rage Against The Machine
[REMEZCLA MUSICA]

Borderline Latin: Rage Against The Machine

In this new weekly column, Salvador Olguín features the works of “non-Latin” artists whose rhythms, themes, or melodic influences have earned it the name of…

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Borderline Latin: Nevenka Arsova, Ranchera Yugoslava
[REMEZCLA MUSICA]

Borderline Latin: Nevenka Arsova, Ranchera Yugoslava

In this new weekly column, Salvador Olguín features the works of “non-Latin” artists whose rhythms, themes, or melodic influences have earned it the name of…

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Borderline Latin: The Rolling Stones, Rolingas en Argentina
[REMEZCLA MUSICA]

Borderline Latin: The Rolling Stones, Rolingas en Argentina

In this new weekly column, Salvador Olguín features the works of a “non-Latin” artists whose rhythms, themes, or melodic influences have earned it the name…

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